New Artistic Lead at Local Theater Company

The NOLA Project theatre company is getting a new leading artistic

voice.

Ensemble member Brittany N. Williams (HARRY AND THE THIEF, SPARE MISSION 1) has

been tabbed as TNP’s first-ever Co-Artistic Director. She will assume the role in January of

2022.

Brittany N Williams

“I’m thrilled to be joining The NOLA Project team as Co-Artistic Director,” Williams said.

“Working with this brilliant group of artists as an ensemble member has been wonderful and I’m

excited to help us grow and evolve as a company and as part of the greater New Orleans

community.”

Williams, is an actor, singer and writer. You last saw her on stage in TNP’s last in-person production,

HARRY AND THE THIEF (Vivian), at the Contemporary Arts Center in 2020. During the

pandemic, she penned one of the company’s four original PodPlays as well as provided her

voice for it and two others. Outside of TNP, Williams’ credits include Stage Door Songbook: Cole

Porter (Susan), Mary Full of Gray (Mary/writer) and she was the The National World War II

Museum’s 2019 Stage Door Idol winner.

Williams will share Artistic Director duties with current AD A.J. Allegra.

“I couldn’t be happier to announce the addition of Brittany N. Williams to our new shared

leadership model at The NOLA Project,” Allegra said. “She is a passionate, smart, and creative

theatre artist with an incredible depth of knowledge and experience. The pandemic-forced

pause in our work allowed our ensemble to look inward at ways in which we could strengthen

and improve our organization. And, I am so pleased that in the tradition of NOLA Project, and the

spirit of ensemble, we selected one of our own to co-lead the next era of The NOLA Project.”

Originally from Baltimore, MD, Williams performed across three continents – including a year

spent as a principal vocalist at Hong Kong Disneyland – and several US states prior to

relocating to New Orleans in 2017. Some favorite out-of-town credits include Universal Robots

(Helena), Margaret I (Joan of Arc), Bob Marley’s Three Little Birds (Nansi – Helen Hayes Award

nom.), Antony and Cleopatra (Soothsayer/Clown), and Lear (Cordelia/Fight Captain). Williams

holds a BFA in Musical Theatre from Howard University and an MA in Classical Acting from the

Royal Central School of Speech & Drama.

Last time we saw her

Williams’ latest work will be on display this fall when The NOLA Project and the New Orleans

Museum of Art present her new play, TELL IT TO ME SWEET, in the Besthoff Sculpture Garden.

For more information on the original outdoor production, running October 29-November 14, please visit

NOLAProject.com. PRESS CONTACT: kclaverie@nolaproject.com | 504.913.5057

author avatar
Jeff Thomas
Publisher — Black Source Media Jeff Thomas Publisher • Opinion Columnist •  New Orleans Jeff Thomas is the publisher of Black Source Media and one of New Orleans’ most direct voices on civic affairs, economic justice, and Louisiana politics. He writes from the intersection of experience and accountability — as a licensed general contractor,a tech company founder and executive with over 30 years experience, and a businessman who has worked across the city’s civic, media, and construction ecosystems for decades. His Sunday column covers Louisiana legislative politics, insurance discrimination, housing policy, and the forces shaping Black community life in New Orleans and across the state. Thomas writes in the tradition of Black journalists who hold power accountable without apology — building arguments from data, delivering verdicts from evidence, and speaking to Black New Orleans with the directness the moment demands. He is also the principal of EA Inspection Services, LLC, a government inspection services company. Black Source Media is his platform for the civic conversation New Orleans has needed and too rarely had. Selected Articles by Jeff Thomas Black Neighborhoods Pay the Highest Insurance Rates in Louisiana. Here’s What They Don’t Want You to Know. They Didn’t Yell the N-Word. They Went to Law School, Bided Their Time, and Rewrote the Constitution Instead. Vappie vs. Morrell: Why Does Justice Look Different in New Orleans? The State Has the Money. New Orleans East Just Needs Them to Use It. The Failure of Mitch Landrieu

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